special introductory paragraph!

With Sympathy

Twelve Inch Singles 1981-1984

Twitch

The Land Of Rape And Honey

A Mind Is A Terrible Thing To Taste

In Case You Didn't Feel Like Showing Up (Live)

Side Trax

KEIANHNO

New Revelation

Filth Pig

Dark Side Of The Spoon

Sphinctour

Animositisomina

Houses Of The Mole'

Rantology

Rio Grande Blood

Rio Grande Dub

The Last Sucker

Cover Up

Reader Comments

brianjc@webtv.net (Brian Carlson)
sounds like the Pet Shop Boys and Soft Cell which is not a bad thing

gratner@ix.netcom.com (Cody Gratner)
(as a pop-synth album):9/10, (Ministry album):1.5/10

I have NO idea why, but this album rules!

bish24@erols.com (John Bishop)
Not sure where the whiny faux British accent came from, but this was a decent entry in the synth-pop genre. I wsa shocked when I heard Al was from Chicago! At least he sounded a tad bitter, unlike most of the other synth bands. For a good example of Ministry's transition to a heavier band can be found on the "All Day"/"Everyday is Halloween" 12", which was a staple in the clubs in the mid 80's. I'm not sure if that ever made it to an album, but it's worth picking up if you can find it.

thomas.pal@sympatico.ca
t's funny, Ever since I got to like Ministry I only bought records from the "new era" (That is Land Of Rape and so on) Since my taste wandered off to Retro I decided to check out Ministry's earlier stuff and I have to say it's pretty good. With Sympathy is a good record, especially the first 4 songs, It's just songs like What He Say and Here We Go that ruin the good moments. Still, I'd give it a 7 1/2.

atewaysatan@hotmail.com (Lord Kennedy)
who are you kidding? i could put this cd in the same Bin with Duran duran and Flock of segals. which is a garbage can in the attick. it's hard to beleive that the same guy who created The Land of Rape and Honey and A Mind is a Terrible Thing to Taste made A worthless Table Coaster such as this. like Steve Albini once put it in a Chicago Weekly: "If Al Jourgensen continues to make sissy as shit Dance-pop records like this i'm going to Cut off his balls, shove this in his throat and Sew his mouth shut" or something to that effect.. although, steve Albani SAYS alot of things i doubt he'd attempt that sort of thing. especially Al Jourgensen. have you SEEN the man? than again, Albini DOES work out. talk about F.A.G!

tomgipson@gmail.com
This album is just comedy gold. Same with your hillarious review. My buddy and I drive around blasting that album and screaming "I'm not an F-A-G!" Sort of reminds me of "I lost on Jeopardy" by Weird "Al."

It actually starts off really tame and kinda silly with the groovy "Just Like You" and sleek dark "We Believe," but starts to get really weird by the time side two rolls around. The bell gong chime thing in "Over The Shoulder" is only the first hint that something violent is creeping up; the speedy punk disco of "My Possession" is verification. And, just so you won't think that this bouncy effeminate violence is as hard as dance music can get, Al drags you into the bashy clanging headbanging grit of "Where You At Now?," which quickly deteriorates into the free noise of "Crash And Burn," which apparently at some point turns into some other noise excursion called "Twitch (Version II)," but I'll be pooped if I can figure out at what point the transition occurs. Essentially then, this album is Al's metamorphosis from light-footed dance boy to creepy racket warlord. The noise is primitive and guitar-free, but nonetheless, it's noise, and pretty darned attractive noise at that. Good for you, side two! Heck, side one, you're no slouch either, even though you kinda sound like the Pet Shop Boys.

Reader Comments

janz@direct.ca
Crap.

KROBARR@aol.com
"Where you @ now" - "crash and burn" - "twitch" is still their funkiest mix to date! You can't help but trash around like you need some kind of tranquilizer!

mcrouch@centillion.com (Matt J. Crouch)
No comment. :)

DarkIndustrial7@webtv.net (James Gregg)
It's their Best album, for it sounds more Industrial then anything else I heard them put out. "Over the Shoulder", "Isle of Man (V 2)", "Just Like You", And "We Believe" are the best songs.

mcere@huron.net (Graham Cere)
good fucking album.

missmaam@bigfoot.com
i guess you had to have been on the dance floor with big al himself in chicago, dancing to his very own song "over the shoulder", while he keeps asking you if you know how the lottery works, to really appreciate why chicago loves this guy.

daniels@actek.com.au (Daniel Schmidt)
Twitch is an excellent album. Equal second with Mind. Do you reckon that Chemical Brothers' style sounds a lot like the song "Where you at now/Crash and burn/Twitch(V2)" off this album?

gratner@ix.netcom.com (Cody Gratner)
10/10 (15/10..28/10...99,870/10....111,111,111^2/10!) The absolute best album EVER (Which only compares in greatness with Frizzle Fry by Primus, Anything by Lords Of Acid, anything By Skinny Puppy, or anything by Nobuo Uematso)!

frants@get2net.dk
Has anyone noticed "Twitch version two" on Twitch? That has to be one of the most avant garde and one of the most brilliant pieces of music made on this Earth. That is one fantastically noisy number on a record that is otherwise less noisy than they became later.

virus66@email.msn.com
A little pop-ish at times, but alot better then some of the new industrial bands, and it was 1986! Not crap.....you just have to like industrial.

brad.black@sympatico.ca
Normally I see eye to eye with most of your reviews. But, I would have to say that I disagree with your opinion that Twitch is 'basically a solo album'.

Unless you mean an Adrian Sherwood solo album – since he was the one who programmed all the drum tracks, and sampled his Tackhead Sound System back-catalogue extensively for the white noise, and metallic percussion bits that define the overall sound of this release.

I think this is why the album before, and the majority of albums after sound radically different from Twitch.

Oddly enough, this is also the only Ministry album that Sherwood appeared on.

jcallahan2@houston.rr.com (Jeremy Callahan)
This is very scary stuff. There is a spookiness in this that is chilling. The helicopter-like smaples and the half-whisper vocals are menacing. I think this is quite awesome.

In fact, side two is one of the most threatening record sides I've ever heard, and there's nary a guitar on it!!!!! Okay, maybe not threatening, but certainly venemous. Plus, Al is one fine producer; as you'll hear here, he really knows how to pile on the samples and still keep everything as clean as a broke-dick accountant. Like some kinda breakdance DJ or something. Or some crap. Lots of people fancy this to be Ministry's finest moment, and "Stigmata"'s a bonafidal underground classic, but in my honest ope, it's a bit thin somehow. Every song is fantastic (even the "atmospheric" ones), but the mix isn't quite thick and bassy enough to sound real. It's more like listening to a really bitter keyboard venting its frustrations out on the world. For real anger-club music, check out the next album. Now that's a dozer.

Reader Comments

KROBARR@aol.com
i'm gonna rip yer hed off...i'm gonna shit down yer neck...i'm gonna laugh like a motherfucker....

mcrouch@centillion.com (Matt J. Crouch)
They're getting warmer....

DarkIndustrial7@webtv.net (James Gregg)
My second favoite Album. "Stigmata" (which you can dance to at the Factory ), "You Know What You Are", "Flashback", "Golden Dawn", and "Hizzabolla" are the best songs.

mcere@huron.net (Graham Cere)
good fucking album with keyboards. Ministry's best album, except maybe twitch.

daniels@actek.com.au
"Hizbollah" is the greatest song on this albulm. This is Ministry's best albulm.

MrDrB@aol.com
I couln't tell with all your lame sarcasm in your ministry-the land of rape and honey article whether you liked ministry or not. I din't appreciate how you put ministry down right away without consider that people, allpeople exceptyou infact, actually like ministry. Do you think the whole world is wrong? what a rebel you are

malcolmr@atcom.com
This Cd is still blowing my mind away.. From beginning right to end. Side 2 is just unreal.

Did someone say "abortive" was about suicide?

brianjc@webtv.net (Brian Carlson)
This album deserves a 10. It is the definitive industrial album, linking everything that came before with everything that came later. The Sgt. Pepper, Tommy, Zoso, and Paul's Boutique of Industrial noisy goodness. This is when I decided to worship Al and his friend Paul and all of their mutant buddies. Every industrial band since has been trying to reproduce this record. I'm done now

gratner@ix.netcom.com (Cody Gratner)
8/10 Drum boxes are our friend (Really...), reminds me of Skinny Puppy. The TR-606 Shall reign FOREVER! This album sounds too thin. Like listening to an analog synth, as opposed to a digital one...

apazoo@hotmail.com (Andrew Pazulla)
Now THIS is their best by far in my mind. Unlike the next album, the samples don't get in the way of the music. This album also has a much needed sense of humour ("I preferrrrrr.... FLAGELLATION!" is my favourite moment!) The best songs are both funny and scary ("Stigmata," "The Land of Rape and Honey," "Flashback") The album is full of really, really black humour. Samples are used effectively but not overused. This album sounds like nothing else out there; it's like listening to a pig being pushed alive into a sausage machine. All of their other albums have weak/boring tracks but this has no filler.

I agree that the mix could be slighter fuller, but this was recorded in '87 and I'd rather have better songs with a worse mix then the opposite. I'd give this a 9.5/10.

azazel@fuckyou.co.uk (Jose Torres)
Golden Dawn is the best Ministry song, the chanting in the background is Aleister Crowley's "The Call of 2nd Aethyr". Best Ministry album too!

POOPYSAW@aol.com
very well mixed and extremely experimental.great songs with very little changes.definetly one of ministry's finest moments.stigmata is probably to grating on the ears of your averege listener.but thats okay.ministry is not made for the mainstream train of thought.extremely techno and industrial ,but not in a bad way.spacy at times, straight on in other times.this is an in your face cd all the way.best song is deity.

landonmoblo@home.com
Great record/guilty pleasure. Extremely influental. I actually like the atmospheric stuff better than the songs (guilty of converse with the devil!). Very hip samples(except the heavy-heavy monster leaning on PLATOON). Let's give credit where it's due: someone mentioned Adrian Sherewood. He had much more to do with TWITCH than Al did. Sounds like Mr. J was taking notes 'cuz Land OF.... has Dub Sydicate written all over it. Play "the show is coming" off of Tunes From the Missing Channel (or better yet, Lee Perry's remix, "Train to Doomesville"), then the title track "Land of Rape..."-----same shit; just angrier. Now if only I could watch Platoon for ten minutes without hearing this record....... P.S. If played quietly, this album is still loud.

uglytruth@hotmail.com (Hossein Nayebagha)
Almost no hint of dance music ?! There's obviously plenty of that stuff, what do you call the whole second half of the record ? ("Flashback" excluded) ? Most of those songs are pretty good but I think the title track is just awful. Fact is, I agree with what you say about it being like listening to a bitter keyboard...but I don't understand how you can say there's no hint of dance music. "Stigmata" is the main track for me on this album (surprise,surprise), the following three tracks and "Abortive" are the other highlights. 6/10.

jorgestudios@yahoo.com
Is it me, or does the beginning of "The Missing" sound exactly like "Colombian Necktie" by Big Black?

While we're on the subject, have you noticed how similar the guitar lines by ZZ Top and The Wipers are oddly similar? You have to really compare them, but it's creepy.

And it sounds real. There is space (and bass) between the noise. There are about fifteen different levels of samples speaking back and forth with each other. And the drums are as powerful as Bonham and Roland rolled together into one big alcoholic robot corpse. In short, I am simply blown away by this record. It's not threatening; the melodies are just really hypnotic - and varied, too! "Thieves" is a jagged forced choppy machine's attempt at hardcore while "Burning Inside" is straight metal. "Never Believe" is pit-slammin' punk mosh pit oi nirvana while "Cannibal Song" is a PIL rip-off. "Test" is Rage Against The Machine-esque political rap while "Faith Collapsing" is an almost-instrumental trance dance. And "Breathe" is a mean lengthy repetitive drone anthem while "So What" is a.... well, a mean lengthy repetitive drone anthem, but they both kick ass, so blow it ti wolb os ssa!!!! .

Reader Comments

mcrouch@centillion.com (Matt J. Crouch)
You "don't think it's very good"? "Dream Song" is the best fucking track on that album!

levon@netcom.ca
Ok well I think the best song on this album is "So what" other than that all the other songs on this album just sounds like samples, nothing fancy but there could've been a better effort.

robinson@zynet.co.uk
"Dream Song" is one of the most atmospheric Ministry songs I've ever heard. I'd love Ministry to ditch the guitars for a future album and just produce songs like this. Not that I'm against their guitar songs mind, I think "Just One Fix", "Thieves", "The Missing" etc. are great.

MrDrB@aol.com
this cd was made in the same style as the land of rape and honey. how couldmyoulike one and not the other?

pmtapia@worldnet.att.net (The Chameleon)
My only Ministry album, but a damn good one!! Boy and I thought the Downward Spiral had a lot of creative shit on it. The songs on this album just kick so much ass. If you listen to the songs on this album full blast or with a good set of earphones you can hear so much stuff happening in the background. In these 9 songs so much stuff is going on. Al Jourgenson really out did himself this time. And the guy is even on every drug on the planet 24/7!! But I think all the drugs he takes really helps him write better music, but that's just me talking. Anyway, like Mark Prindle said, this album is very hypnotic. One time I was listening to it in my car when I was ditching school. I got into the music to such a far extent that I forgot where I was going. It was pretty cool. The album is just so loud and so powerful. The drum beats are so fucking loud and cool. Listening to the music is just fun because be it "Thieves", "Dream Song", "Burning Inside", or "Faith Collapsing", I can hear something new each time happening within the song. There is so much shit going on in this album. Another cool thing about the song "Thieves" is that Jourgenson, Barker, and the other guys decided to put a lot of lines from Full Metal Jacket in the song. I find that cool, because that movie kicked ass. So, furthermore, just go get this album, forget about Nine Inch Nails, Filter, or Gravity Kills...Al Jourgenson was kicking ass before that wuss from Filter was an itch in his dad's pants. Well, hmm, maybe I'm wrong about that. Nevertheless, Al Jourgenson was around writing songs before any of those, as Prindle put it, "shock factor" bands were even getting started. Therefore, Al Jourgenson's band is much better.

rainesd@slc.bfp.net
the best love it ...."IM READY TO FIGHT!!!""

gratner@ix.netcom.com (Cody Gratner)
10/10 "Dream song" is the best song on the album! Then comes "Breathe" and "Burning Inside", "Thieves" is good but lacking...

reznor@tez.net
The bonus track on Mind kicks ass. It's what we affectionately refer to as "Angry settle down music." For those times you're really pissed but would rather boil awhile than draw blood.

apazoo@hotmail.com (Andrew Pazulla)
This is a good album, but not nearly as good as its predecessor. Some of the songs sound too much like a guy just dicking around with samples and tape speeds ("Thieves") "So What" is good at first, but wears thin after about two minutes. There is no variation in the song. "Burning Inside" is the best song on the album, but in my mind this album doesn't have the dark wit or surprising complexity of Rape and Honey. 8/10

KamikazeHyena@aol.com
"The Mind is a Terrible Thing to Taste" is definately Ministry's best album. The samples are clean, the brilliant guitars sound like chainsaws against a chalkboard, and the beats are heavy as ever...but perhaps it is the variety of different songs that make this album so good. "Thieves" grabs you by the neck and just tosses your sorry ass into the pit as Ministry's new anthem. "Burning Inside" is pure savage metal. Then comes "Never Believe", a disturbing mosh along frenzy that takes no prisoners. Suddenly, "Cannibal Song" comes along and twists your mind into dementia with it's slow and powerful beat and disturbing vocal powers. "Breathe" is just pure anger with a beautifully crafted beat. "So What"is probably the albums best track, using very long samples from the movie "The Violent Years" and mixed in with a killer chorus. "Test" is a speedy politically charged industrial rap. "Faith Collasping" is just a really fun, sample laden track, and the album ends with "Dream Song"...a slow and atmospheric melody with sexy female vocals. Amazing album. The best ever. 10/10!!!!!

landonmoblo@home.com
I know Pailhead might sound jarring in this coloumn, and they never really had an album, but the CD takes the single and EP-all six tracks- and it would fit perfectly right before Psalm 69. Seriously: "Trait" is "A Mind is....."'s sister album. It works perfectly; Ian fits it fine. "no bunny" is beautiful. "Man should surrender" is "Burning Inside". "I will refuse" is "Thieves". Take "A Mind..." and replace the sardonic humor with Ian's determined idealism and you have Pailhead.

jcallahan2@houston.rr.com (Jeremy Callahan)
This is the perfect combination/transition of all of the styles that Ministry has dealt in. This is their best work, mainly for the fact that they didn't sway to far toward one style or another - the balance of their influences is perfect, and so is this release.

georgebushfan1@yahoo.com
"The Mind Is A Terrible Thing To Taste" is the greatest album made by Ministry. Why isn't there a T-Shirt of that album?

_c3994783@wanadoo.nl
Brilliance!! Fogggin foggin foggin' brilliance sonny boy! Whoever out there should claim that fear factory kicks ass, slayer is the hardest band in the world, manowar has sucked their dingalongalongleng all night long and so long.... wake the fuck up! Ministry rule supreme when it comes to aggressive kick in the nuts straight out mechanic madness! This is music for the diabolically insane, for night freaks, for people that want to test the limits, for leather wearing fistfuckers, in short, for all the people that George Wanker Bush wants to kick outta the country and put on a deserted nuclear island somewhere... But even he doesn't want to croos swords with somebody as utterly charged and ready as mr. Jourgensen is on this record (or the next one, for that matter, which is called psalm 69 by the way and not the ridicolous name it has in the review below!). Also this record is one of the best junctions between industrial, metal and alternative electromusic. Every song is good, and some are damn foggin' brilliant! Absolutely one of my most favorite records of all time! For people downloading or somethin' like that, check "thieves", "burning inside", "breathe", "so what" and "cannibal song"... o what the heck! Buy this record you morons!!!

Reader Comments

janz@direct.ca
I don't agree with this review. The best Ministry album yet!!!!!

levon@netcom.ca
Yeah I don't agree with this review either to be honest. The album is good, I mean to be able to do all that stuff on stage live isn't easy. Overall it's a good album, I wouldn't bad mouth it, but I think they could've got the crowd noise more into it, that was the only lousy part of it, and it could've been longer.

Prodiglsol@aol.com
it's my opinion that anyone who writes a long, kitchy review about anything likes to hear himself talk at least as much as they like whatever they're talking about. still, better kitchy than slobbering fanboy worship.

mercredi@bach.ccinet.ab.ca (Quentin Mercredi)
I also disagree with the review. This Album is a must have if you already own the last two. The songs are like remixes of the original. Revamped and reamped to assault the ears. Most songs are also longer than the original studio songs and also a lot harder and full of much more energy. Ministry meets Metallica.

mcere@huron.net (Graham Cere)
fuck ministry meets metallica, that's bullshit. Metallica sucks. Ministry writes good fucking dance beats.

amckane@servtech.com (Adam McKane)
All the Rape and Honey songs sound SO MUCH BETTER on this live album!!!

Anarchist@goplay.com
Yeah. I don't agree with the review either. Sure, it's a live album, and it has no new tracks, but the tracks on it not only kick, but they sound quite different to the studio albums.

MrDrB@aol.com
you are incredibly gay jerkbutt

mike_red5@hotmail.com (Mike Semcheski)
LORAH review is dead on. But the MisaTthing to Taste gets more stars? Are you joking? Mind is a good album. But it doesn't have the effect of LoRaH. In Case you Didn't feel Like showing up -- That's the 10 stars. You know why? Cause of that sick 13 minute version of "So What", and then "Stigmata" to finish it off.

activecarbon@jps.net (Laurence D'Alberti)
Believe it or not, after being a lifelong Ministry fan (I was dancing in dark wave clubs to "Effigy" all dressed in black and Goth looking when Trent Reznor was still a nobody - NIN sucks!)...anyway - I only just rented this video for the first time this Xmas 2000 from Blockbuster. Of course I've seen them twice live (NYC and SF) so I knew what to expect. First off, this is a video of a live concert with some special visual effects and samples added for effect. Just listening to the album I think you loose most of the Ministry atmosphere. The media stuff, industrial factory imagery and WWII Hitler crap is a little (way) dated now - but at the time - very exciting and radical. With Jello Biafra and Ogre on stage - well they just sort of look like hangers-on compared to the real deal - Al Jourgensen (what the hell does that Biafra guy do anyway?) What I find interesting is how fluffy and bogus today’s music ala MTV has become compared with this ferocious type of audio visual entertainment from just 10 years ago. (I think these black rappers today would sh*t their pants if they met up with Al and his bunch in some bar or back alley in Chicago!) Watch 10 minutes of MTV (or ANY rap video for that matter) and then watch "So What" off this video and you will see how far down the scale the music industry has gone in the USA. Thank God for Al Jourgensen (& Paul Barker and the rest) - he has been the only one keeping this type of Aggro-Metal-Techno type music going into the new Millennium. What annoys me is how NIN and Marilyn Manson kind of stole Al's limelight - both of those bands are mediocre at best and very derivative. Ministry is original - something spewed out of the industrial wastelands of Chicago. Then I come to realize Al's from Cuba! Who could have ever dreamed of this sound coming from the mind of a Cuban - other than one transplanted to Chicago! If this doesn't sound to gay for your writers and readers - I cried when I saw them in NYC - only because ever person I have ever known and loved couldn't be there with me to see them - they are that good - really!

thomas.pal@sympatico.ca
I've never really cared for this album until one day I decided to get it. What have I been missing all these years?!? Man, this is just freakingterrorshit!!!!! Can you imagine? These guys''ve been going extremepsycho 11 years ago already!

Meanwhile look at MTV...full of hair band bitches whose agression only reachged max level when trying to decide who should get the last can o' hairspray. Stigmata was never my most favorite Ministry song since it sounded too "stripped" on Land of Rape, but this live version has certainly became my favorite one. Why? Listen to it. It speaks for itself. Great album!

hemingerm@AyresAssociates.com
Prindley has a point that this album sounds like a retread, unless you listen closely. You see, they gots 4 guitars on that stage blarin away, and it sounds amazing. I'm sure that Jourgenson used about 85 guitar trax on the studio works, but this thing just RAGES. "Missing" is even more ferocious than the original, and "So What" is longer and packs even more of a punch.

As an astute (budding) reviewer already mentioned, the video adds a lot to the experience, especially the version of "Breathe" which is not included on this cd (why? WWHHHHHYYYYYYYYYYY??????) and has some great industrial imagery going on. Some of the Jello performance didn't even make the video cut. Did I mention I was at this show? The tension was incredibly thick that night (KMFDM had opened for them and did a great job) and the chain link fence in front of the stage just added to the animosity. Little punks eventually started to climb the fence and jump off into the crowd from about 15 feet in the air. On my way out, I saw a trail of blood going into the men's room. This was a serious show!

Years later, I saw Ministry at Lollapasnoozer, and they were INCREDIBLY FUCKING LOUD for an outdoor act. And they sounded impeccable with all the guitars, drums, samples, etc going on. And they were also INCREDIBLY FUCKING LOUD!!

Paul Raven from Killing Joke is touring with them in the summer of 2006.

Side Trax is a terrific idea that I personally never thought could have come to fruition due to copyright and personnel issues. What it IS is an 80-minute CD compiling the work of four of the best-known and least-recorded Al Jourgensen side projects of the 1980s: Pailhead, 1000 Homo DJs, PTP and Acid Horse. So now instead of four reviews, I only have to write one! Up The Irons! (*lifts irons up over head, then continues pressing shirt*)

Let us begin with Pailhead, a dark industrial death-rock sort of project put together by Al and Ian MacKaye of Minor Threat and Fugazi. All six of their songs are GREAT compositions, reminiscent of early Killing Joke with their insistent dead bass hooks and minimalist phrishy fuzz guitar chords. Ian has never sounded so menacing as he does against this ominous backdrop, and every song seethes with underbellied malice that only occasionally erupts into full-scale violence (especially in the hardcore metal riffer "I Will Refuse" and the pulse-pounding condemnation of sex phonelines "Ballad," which finds a near-hysterical Ian screaming "PICK UP THE GODDAMNED PHOOOOOONE!!!!"). And hey Ramones fans - pay close attention to what Ian's singing at the end of "Anthem" -- she's a reference! The only bad thing about these six tracks is that they represent the full output of Al Jourgensen's smartest and most chilling side project of all time. 10 out of 10 for this section of the CD.

My next guest is 1000 Homo DJs, a side project that basically amounts to everybody in Ministry except Paul Barker. Claims have been made that Trent Reznor and Jello Biafra were involved, but I certainly don't hear them. The claims, I mean. I tend to shut my ears when claims come along -- that's what makes me such a successful insurance agent! But before I get sidetracked, let me get Sidetrax up your head with my mad verbiage, yo. The Homo DJs (all 1000 of them) issued one distorted but melodic (and hypnotically repetitive!) industrial single followed by a cover of Black Sabbath's "Supernaut" backed with a fake cop yelling at people. Me, I'm fond of all these tracks - the hopeless "Apathy," desperate "Better Ways," kass-icker "Supernaut" and... vaguely funny "Hey Asshole" - but the latter track drags on a bit long, as I'm sure we're all in agreeance. Still, the vocalist does a picture-postcard-perfect impression of an asshole cop. You can almost HEAR the mustache! The 1000 Homo DJs section receives an 8 out of 10.

That's it for the rockin' out portion of the CD. The remaining five tracks are electronic dance-type house music similar to early Revolting Cocks or Twitch-era Ministry. So if you're in it for the big guitar rock with the long hair, you'd might as well shut down the computer and go take a crap right now. Because that part is OVER, Jack, and it ain't comin' back any sooner than Adam Smith is coming back to pen The Wealth Of Nations 2: Hello Mary Lou. Good riddance to bad rubbing alcohol!

First are three tracks by PTP, the only one of these four side projects to feature Paul Barker. The big draw at the time was the inclusion of Chris Connelly - that's what made it PTP. But see, he just ended up joining Ministry anyway so.... Well, so. PTP wrote one great song built upon silly happy synth noises, a single bass note repeated over and over for six minutes, and low "I'm Too Sexy"-style vocals intoning such vibrant literature as "Tick tick tock, I am the kitchen clock/Tick tick tock, this is my wife/Tick tick tock, I am the kitchen clock/Tick tick tick, this is my KNIFE!" Unfortunately, the other two songs are worthless 80s computer noise synth CRAP! One of them is a previously unreleased track from Robo Cop featuring Ogre from Skinny Puppy on vocals and it's CRAP! I give this section of the CD a 3.333, the nogoodnick portion son of an ass, and it's CRAP!.

Finally, Acid Horse winds up the nilly-nally with Al smacking palms with Chris Connelly and legendary dull electronic outfit Cabaret Voltaire. Each band does an original version of a song called "No Name, No Slogan," and surprisingly, both tracks are as enjoyable as they are completely different from each other! Al's is total RevCo: dance beats, Connelly's low vocals and a wonderfully incongruous steel guitar sample marking the end of each line. Cabaret Voltaire on the other hand speak the lyrics through a vocoder, invent a happy fun bass line and toss in lots of exuberant bouncy keyboard noises jumping up and down on a trampoline eating a tangerine playing a tambourine assfucking Ben Vereen. 8 points. Would get 7 if not for the Ben Vereen assfucking.

So you see, when Al Jourgensen sits around the house, he really sits AROUND not doing anything! Take my wife, for example. PLEASE! Horse walks into a bar, the bartender says, "Why the long hair?"

Reader Comments

soul_crusher77@hotmail.com
I don't own this, but it does definitely sound like something I should get. I haven't found an actual copy of the Pailhead EP anywhere, and I own the 1,000 Homo DJ's version of "Supernaut" thanks to that mediocre Black Sabbath tribute Nativity In Black, but haven't heard anything else. And now for what I really emailed to bring up:

I don't know about Jello Biafra's involvement with 1,000 Homo DJ's, but Trent Reznor is actually the one singing on "Supernaut". TVT (Nine Inch Nails' record label at the time) didn't want him doing projects on other labels and wouldn't let it be released, so rather than re-record the vocals himself, Al just ran them through enough effects to render them unrecognizable. I heard a while ago about a box set of Wax Trax stuff that includes a version with Trent's undisguised vocal, but I haven't actually heard it.

First of all, the "Jesus Built My Hotrod" single, released about seventy-two years earlier and featuring Butthole Surfers's Gibby Haynes on vocals, had kicked my absolute ass all over the place. It was a GREAT SONG. So what does Al do for the album release? Cuts off the awesome chugging intro and sticks the edit after a thrash song so it sounds sluggy in comparison. Then what else does he do? Closes the album with two of the dullest noise pieces since Patti Smith's Horses. Then what further does he do? Puts on three "joke" heavy/punk/hardcore songs. That leaves three tunes. One features the exact same riff as "Burning Inside" from the last album, one is a slow heavy metal song, and one has the same chord sequence as "Feel Like Makin' Love" by... oh, you know who it's by. It's fucking classical music!

So why'd I finally come around? Why'd I end up giving it an 8 when it initially infuriated me so? Because the production is unbelievable, somehow completely making up for the lack of original musical content. The samples are topnotch, as always, and he fools around with tape stops and volume and all kindsa funny whogoesthere. And when you play it really really loud, somehow the tired riffs don't even matter. They're metal, they're (in about half of the cases) speedy, and they "kick arse," as the United Kingders say. It's a poor representation of the creative power and verve of the Ministrys, but that Al, he's got a darn fine ear on his shoulders.

Oh yeah - most people call this album Psalm 69: The Way To Succeed And The Way To Suck Eggs, but it doesn't say that anywhere on my cassette sleeve, so I'm gonna take the road less travelled. I still call Diddy "Sean 'Dogfucker' Combs" too.

Reader Comments

Klknott@aol.com
This album is ministry's best.

janz@direct.ca
I don't agree. This album is another great one.

nfrost@concentric.net (Nathan T. Frost)
I agree to some extent with this review, and it ain't Ministry's best, but, in my opinion, it's a helluva lot better than Twitch and With Sympathy. I like "Jesus Built My Hotrod," and "Psalm 69" (the song) kicks serious ass. The last two tracks suck, agreed all.

deadguy@chariot.net.au
what is your problem? Psalm 69 is equal top CD of all time, along with Roots, Sepultura. "Corrosion" is excellent. a crushing track. and who else has done screaming like "Grace". "Scarecrow" and "Psalm 69" are two unbeatable songs. Every track gets a 9.5 at least. no second rate bullshit on this disc.

Learn to recognise good hard music when you hear it.

Piscobamba@aol.com
This is one of their best.

mercredi@bach.ccinet.ab.ca (Quentin Mercredi)
Who the hell is reviewing these Ministry albums anyway? Keianhno is a great Ministry album. More open minded music fans would really enjoy this album. Ones that enjoy what music stands for.

Klarrabe@frognet.net (Kirk Larrabee)
Ministry's Psalm 69 has been much maligned by some people but quite frankly I don't own an album like this one. The remarkable thing about it is it is so intense yet so controlled and clean. You might expect songs of this nature to spin off into tangents where they go overboard but not so-- Ministry keeps that under control for the most part, which is what makes it so effective. Hey, technically it might not be great (you won't find any virtuoso guitar playing here-- hell, "N.W.O." is basically a two-note song) but the production here is supreme. "Just One Fix" and "Hero" are two of my favorite all-time metal songs. Metal fans should have it.

leek@mail.gte.net (Sue and Garry)
So.... whats wrong with classical music?

mcere@huron.net (Graham Cere)
good album, especially "just one fix". Not as good as twitch or the land of rape and honey.

levon@netcom.ca
Ok well this album I must say is the best thing I've heard from Ministry yet. "N.W.O", "Jesus Built My Hotrod", "Scarecrow", and "Pslam 69", and "Scarecrow" are real good stand out tracks for this album. But it's a good metal album, if you wish to classify it as metal. But yes I must agree the second last track titled "Corrosion" is ok now and then but "Grace" is the worst ending song I have heard for an album period, what the hell was Al thinking when he made it? But overall a excellent album.

Anarchist@goplay.com
Nope. Don't agree either. All the songs on this album are really good (though "Corrosion" and "Grace" take some getting used to). Maybe not their best album, but it's one that's constantly in the cd player anyway.

missmaam@bigfoot.com
let's leave patti smith out of this!

prb7@cornell.edu (Peter Bogdasarian)
Gotta agree with the majority here, IMO Psalm 69 is an amazing piece of music, full of energy and skill.

jeff51082@concentric.net
What is this??? KEIANHNO was Ministry's best album!!! Come on, Too heavy?? What ever! Songs like "Hero" and "Just one fix", rock far beyond that old shit!!

iforman@adel.tafe.sa.edu.au
i think p69 rocks. my all-time, equal-favourite CD... imagine if they had used the extended dance version of "NWO" instead of the normal one. the 12" edit of "Just One Fix". the redline/whiteline of "JBMHR", etc.

well written reviews though. highly entertaining :) don't pay out "Grace" and "Corrosion" though... grr. they rock. "Jesus built" is my least favourite on the CD. "Psalm 69" and "Scarecrow" are my favourite tracks of any band i would say...

rainesd@slc.bfp.net
sucks sucks and it sucks too

gratner@ix.netcom.com (Cody Gratner)
4.5/10 "Jesus Built My Hot Rod" SUCKS (I haven't heard the "Redline / Whiteline version" though)! "T.V. (Song?) II" and "Hero" are the best songs on the album, "Grace" is a great tune... "Psalm 69" is a good song, till it switches 1.. 2... 3.... 4..... FIVE!?!?!?!? (Sorta') times. "Just One Fix" has a cool video...

nachash@bellsouth.net
The title of this album is derived from Aleister Crowley's The Book of Lies, Chapter 69. This CD rocks, punk.

reznor@tez.net
Alright now, it kicked ass. "NWO" may be a simple riff, but in this case simplicity is genius. Raw anger doesn't call for tricky fingers, just brute force. "Psalm 69" is a great commentary on modern religion. "Scarecrow" just rocks. "JBMHR" walks the line between kick ass and ass kicked. "Grace" and "corrosion" I could have done without, but the rest more than make up for it. The dance mix of "NWO" will wear you out in no time, "quick fix" is funny as hell, and "Fucked" ranks up there with "Dream Song", too bad it wasn't on the album. "Jesus Built Red line/White line" is really good too, and I don't need to be justified ;-)

rpolney@soback.kornet.nm.kr
A cool album! Al really rocks on this one, but yes a little too much metal. It will always have a place in my heart because I had to sneak out of my Army barracks at Ft. Bragg to get to a mall and buy it. I would have gotten my ass kicked if anyone found out about it. I regret nothing.

Orashid@concentric.net
"Just One Fix" @ "Scarecrow" make this album one of the best in Ministry history.

dccurtis@wans.net (Dave Curtis)
I think that "Just one fix" rules!!! You don't know what your'e talking about!!!

apazoo@hotmail.com (Andrew Pazulla)
This is one of their best albums, but I'd agree that it's not their best. "Just One Fix" is the best track, followed by "NWO" and "Scarecrow." But the rest of the album lacks something. "TV II" is just annoying, and the title track is boring. 8/10

paul.olesak@snet.net
I thought that this was a great record, but I agree with you about how they ruined Jesus Built My Hotrod. The version on the single is a million times better than the one on here. They put the crappy radio edit version on Psalm 69. On the back of the JBMH single it calls this version contemptably timid! If you haven't heard the single version I recommend trying to find it. It's over 8 minutes long and has great samples and a really cool ending.

thomas.pal@sympatico.ca
My first Ministry album. I love it, there's variety. No two songs are alike. NWO is just awesome. That's when I first learned about Ministry( from the video). As for the name of the album. Why is it Psalm 69? The name of the album is written in GREEK (looks Russian, but it's not) and it's pronounced :KEFALI...which means HEAD. What kind of head? I don't know. Maybe just a plain ol good head. who knows. As for Corrosion, It doesn't suck, It's the purest extremenoiseterror industrial dance song I've heard. Grace is sort of scarry, though.

soul_crusher77@hotmail.com (Mike K.)
I agree that this cd does sacrifice the normal level of Ministry creativity in it's quest to be really hard and loud, but it does succeed in being a good simple stompy angry type record. Although I don't see anywhere near the number of bad points prindle brings up, I give it the exact same grade. Go figure. As for the long noise pieces, I actually like "corrosion" a lot (it's just a loud repetitive tribal drumbeat thing and a bunch of air raid type noises, but somehow it totally works), but "grace" is boring as hell. They should have taken off "grace" in favor of the 8 minute single version of "Jesus Built My Hotrod", which in fact is exactly what I did to my burned copy of psalm 69. Oh, and to the person who said JBMHR sucked, you probably wouldn't like the redline/whiteline version any better. The intro and middle sections are longer with a bunch of hot rod related soundbites over them, and the ending is different, but that's all. Granted, it's a really cool ending, and some really cool soundbites, but that's not enough to make someone go from hating the song to liking it.

jcallahan2@houston.rr.com (Jeremy Callahan)
Some nice spots, but you could sense the slip in quality and creativity to come. Just one fix, NWO, Corrosion, Scarecrow - strong. Psalm 69, and whatever that soldier song is - DUMB.

galleyian@mac.com
When I were a lad I used to listen to this almost everyday, then my needle went and it stayed on the shelf for a good few years, (I'm way too tight to get a CD copy.) Finally I rectified the situation and now I can regress to a sense of self, unburdened by the ravages of time. So...

What impresses me first; whilst released in 1991, (that's 13 years!), it more than easily stands up to any 'hard' record released today, even surpasses them. Not in a song writing sense, it's all in the production. This paired down,and direct approach, minimalist electronics, computer gizmo's e.t.c. saves it from a specific time frame. I love 'The mind...' it sounds like an early nineties, crossover album... it sounds dated.

'N.W.O' is as relative now as it was then and the George Bush sample is just plain scary. The moment in 'TV2' where the sound drops away is still jaw-dropping. I don't find the noise pieces as pointless, 'Corrosion' is a great dance tune and 'Grace' Oh Lordy! All I can think is they burrowed a hole, with their crack-addled moles and dropped a mic right into hell. Just never try listening in the dark, whilst tripping, not a good move at all.

A fine album and, yes, it kicks arse.

Sometimes it's fun to pick up a bootleg. In this case, it was fun because I had just interviewed "Weird Al" Jourgensen the night before, and because the thought of an acoustic Ministry performance seemed about as illogical as allowing Supertramp to set foot in a recording studio at any point during their existence as a performing unit. Hey, a block of bursting energy just hit me in the face with this thought: If one were to force Jim McGuinn to perform fellatio upon oneself, would Jim argue, "I Wasn't Born To Swallow"?

This fresh CD features recordings of two identical five-track sets performed live at the Shoreline Ampitheatre in Mountainview, CA on October 1st and 2nd, 1994. Although I'm unclear as to why this might be the case, the set list for these two evenings stood as follows: Bob Dylan's "Lay Lady Lay" (previously covered by Hoyt Axton, Kevin Ayers, Booker T. and the MGs, The Byrds, Neil Diamond, Duran Duran, Ramblin' Joe Elliott, the Everly Brothers, Jose Feliciano, Ferrante & Teicher, Richie Havens, Isaac Hayes, Steve Howe, the Isley Brothers, Ben E. King, Albert Lee, Melanie and Cassandra Wilson) an original composition called "Paisley" that (regardless of Al's insistence that it "will be on the next Ministry album") can only be found on the "Lay Lady Lay" single and Escape To L.A. soundtrack, Ten Years After's "Here They Come," The Grateful Dead's "Friend Of The Devil" (previously covered by Counting Crowes, Ramblin' Jack Elliott, Jorma Kaukonen, Lyle Lovett and New Riders of the Purple Sage), and (though it's not listed on the cover for some reason) John Barry's "Theme From 'Midnight Cowboy'" (previously covered by The Bar-Kays, Ray Conniff, The Cows, Floyd Cramer, Martin Denny, Faith No More, Percy Faith, Ferrante & Teicher, Andre Kostelanetz, Henry Mancini, Mantovani, Johnny Mathis, Paul Mauriat and The Shadows). And this is all fine and good because Al Jourgensen actually sounds really nice and friendly singing without a distortion pedal, but you have to listen to it TWICE! You have no choice but to listen to it TWICE! Unless you have a little button on your CD player that allows you to skip tracks, you have to listen to it TWICE! I mean, Hell - I love sex as much as the next guy, but I sure wouldn't want to have sex with the same woman TWICE!

LuKKKily, there are six bonus tracks on here that you only have to listen to once (the amount of times a song SHOULD be heard during a lifetime). These include such dastardly fledglings on the vines of love as the b-side "TV III" (an excitingly slow, shitty, "funk metal" version of the "TV Song" with a wah-wah pedal), a needlessly but enjoyably extended version of "Reload," a cover of Skinny Puppy's lite-electro hit "Smothered Hope," a bunch of noise called "Twitch" that you'd think would have been on Twitch, but NOPE! and two killer early-to-mid-period Ministry effeminate-but-trying-to-be-tough non-album tracks by the name of "Isle Of Man" and "Tonight We Murder." I like them and my plants like them.

Like many people, I enjoy playing music to my plants. It seems to increase the morale of my employees, including the safety inspectors and the Mexicans that I hired to drink the nuclear waste at the end of each workday.

If you're looking for a particularly loud and aggressive form of Ministry, New Revelation is probably not the most worthwhile expenditure of your bootleg dollar. But for the rest of us - those who are charmed by the thought of an industrial metal band doing hippy covers, and who haven't spent thousands of pounds racking up every Ministry b-side under the creation - it's a Goshsend.

Isn't it hilarious that my entire Rush page is like three sentences long and here I've wasted fourteen reams of paper on a Ministry bootleg? That's because my old reviews EAT SMELLY BALL HAIRS!

....while at the same time not including any language quite as deplorable as EAT SMELLY BALL HAIRS!

Wait wait wait. Slooooooow doooooooown. I just had the greatest idea for a new business. It would include a restaurant, a perfume store, a basketball court and a barber shop -- and I would call it:

DINE AROMA HOOPS CUT!

Plus, quite frankly, these tunes kick the living puppy out of the ones on that Godflesh LP. The single, "The Fall" (a damn fine band, by the way), had not a hellball's chance in snow of becoming a popular Buzz Clip, but it's still one of the most hypnotic songs I've heard all year. The chord sequence is bizarre and the piano flourish is beautiful. In fact, the same can be said about most of these tracks. Bizarre but beautiful. The perfectly serious cover of Bob Dylan's "Lay Lady Lay," for example. Why did Al pick that song, you're wondering? Well, I don't know for sure, but let me answer for him anyway; it's because Al, regardless of his "tough guy" image, still recognizes honest beauty when he hears it. And he does the right thing - in this case, justice to Bob's country-western classic. There are no jokes on the record, and only a couple of hints of lightheartedness (the last two tracks), and this is a good thing. Where KEANUREEVESIAU made me feel ripped off, this one feels and sounds like more than my money's worth. Every song is included for a reason, and they all drag on long enough to develop into repetitive mantras of anger and confusion. Good mix, too, as if I had to tell you....

So why only 8? Because if you're going to make every song stylistically identical, you gotta make 'em all amazing. A couple of these aren't. It's still a really good album, though, and deserves to have sold a heck of a lot more copies than it did.

Reader Comments

herluf@cybernet.dk (Nikolaj H.T.P.)
Well think again!

You said something about the ekstra track on the cd version of the mind..... I must say that it is one of my favorites! It's the most "hypnotic" (your word) of them all. Try putting out all the light, bring on your earphones and just listen, it's magic.

But apart from that i agree with most of what you say, and I sense that your are just as fanatic about these guys as I am. It's THE "band" for me.

P.S. Except for one thing. Which tracks on Filth Pig are you talking about when you say they're not Amazing? In my mind this record is worth 11!!!!!

P.P.S. Whats wrong with Danish? :-)

janz@direct.ca
Too heavy and slow but I can't wait for their next album. When's it due out?

v95linpe@vtek.chalmers.se (Peter Lindquist)
"The Fall", "Filth Pig", "Lay Lady Lay", "Lava" and "Reload" are brilliant. The rest of the songs are rubbish, weird riffs with no melodies. They should have released a "mini-cd" instead.

nfrost@concentric.net (Nathan T. Frost)
My personal opinion ratings: (out of 10): Twitch 4, Land Of Rape And Honey 6, The Mind Is A Terrible Thing To Taste 9, Psalm 69 [Kiliano or whatever] 8, Filth Pig 9.

I don't get what's so great about the song "Filth Pig"; it seems so repetitive and sluggish, with no real sampling to spice it up. It's pretty good, not great. Almost every other song on the CD impressed me plenty, especially "Reload" (proving Ministry can still do fast thrash metal), "Lay Lady Lay," and "The Fall."

And if Ministry keeps up its (excellent) musical patterns, it'll never be mainstream; their original (constantly evolving) sound is definitely an acquired taste.

But hell, I like it.

mercredi@bach.ccinet.ab.ca (Quentin Mercredi)
You hit the mark on this review. Filth Pig just doesn't sound like the Ministry we have grown to love (or hate?). Too slow. That is my main complaint. I like Ministry to be fast, or at least to use their samples and sound effects better.

mccort@1st.net (anna hitler)
i guess i kind of agree with peter. i mean most of the songs kick ass, but a few of them can get kind of annoying. "layladylay", "game show" are pure gold.

leek@mail.gte.net (Sue and Garry)
Um... can anyone tell me what the HELL Jourgensen is singing in "Lava"? The vocals are so distorted, at one point it sounds like he says "monkey float", and i hope it doesn't. Buy hey, i do like the sample that says "Be healed!", reminds of televangelists.

mcere@huron.net (Graham Cere)
what's wrong with drugs?

twonoahs@worldlynx.net (Steve Steiner)
Just picked up Filth Pig, my first Ministry album (your influence), and I've got to say, "Reload" is an amazing song. Every once in awhile a riff or hook sinks into your frontal lobes and sends out a constant signal to your cerebral cortex until you want to pull your hair out...in a good way. This is "Reload". The song kicks motherfuckin' ass. I'm still trying to appreciate the rest of the album. "Filth pig" has a cool vocal hook: Filth....Pig....Filth....Pig....FilthPig (you know it). "Gameshow" seems promising. Unfortunately, I am now learning from your comments it's the only Ministry Album like it. Ummmm, uh oh.

Macab27352@aol.com (Macabra)
ministry kicks every other bands ass....and that's all their is too say about the matter!

jfare@execpc.com (Jason Fare)
This record is absolute shit. It makes A Mind Is A Terrible Thing To Taste sound like Exile On Main Street.

nimafilm@swipnet.se
Filth pig IS the best Ministry album to this date. "reload" is the nr.1 and "lava" with the lyrics that made me in love with the world should get the nobel prize. I'm not an early ministry fan, I hate twitch and the early techno-pop Al and co made. But i've seen ministry live and never thought that I'll be so close to nirvana in this life...

gratner@ix.netcom.com (Cody Gratner)
(In and of itself): 9/10 (Ministry album): 6/10 "The Fall" and "Lava" are the best songs, then "Lay Lady Lay" (The Bob Dylan version is still better though...). "Filth Pig" is WAY too repetitive, even for Ministry. Go Hammond B-3 Organ! Yay, basslines NOT following the main guitar riffs!

The Fall/Reload - single: 7/10
"T.V. (Song?) III" is great in the extreme (Wha-Wha!). "The Fall" (Even longer = BETTER!) is the best song since Twitch. If I had my way, I'd have a 74 min. version of "The Fall".

Why do you care if Alain is on drugs (Drunk too?), or if he has never touched any of it.

rpolney@soback.kornet.nm.kr
No, not very good at all. Al is tired and old. Pukes like the Rolling Stones can put out the same crap year after year because Stones fans want the same shit year after year. Industrial fans want more, but Al has tried too hard to put out somthing new and he lost his inertia. He waited too long since the last album and lost his "drive." If Al puts out another album, he needs to go to some shithole sewer or a 10$ hotel with illicit substances and a case of Schlitz and rethink why his other albums were so fucking wild. I don't care if Al collaborates with Philip Glass on his next effort, but let it come from Al's creativity, not some desire to be different from Filth Pig. Metal, synth, minimalism, I don't care! I want Alien Jourgenson's best and wildest!

Orashid@concentric.net
How could anyone say that Ministry is jumping the bandwagon???? They built the fucking wagon!! They are the reason that industrial music actually is recognized as an actual form of music.

zvi@softhome.net (Alligator)
You know I think you don't like Ministry and that's it, but Why do you have to repeat it over and over? Just say it once and relax Ok?

portrid@yahoo.com (Barry Murphy)
godflesh are way better than ministry...the fall is the best track on this...THE FALL are way better than godflesh or ministry

mburrus@zdnetmail.com (Michael Burrus)
Man I REALLY like this album. I bought it just weeks ago and I'm already starting to enjoy it more than The Land Of Rape And Honey, and I would give a ten if it wasn't for "Useless". So as it is, I'll give it a very high 9.

"Reload" and "Lava" kick ass, as does the title track.

errado@ruralsp.com.br
In no way my favourite Ministry album, but: The song Filth Pig, although a little repetitive, has the biggest overall sound ever. When the guitar kicks in, holy mary. Reload sucks, as does half the album. However, not the half that's getting the praise. Dead Guy is great fun, if not very original. And Game Show is HUGE. Huge. Bigger than big, larger than large, who would guess slow doesn't have to be boring.

If you ever read a review where "weird" is used negatively, ignore it.

And Godflesh: great band, better than Ministry if you ask me. Pure is their weakest, go for the non-remix half of the Slavestate EP. All of Godflesh's very good long play albums would have been perfect EPs. So, in a way, Filth Pig is Ministry's Godflesh album.

fantomas001@yahoo.com (Florian Schneider)
IMO Filth Pig is "the" Ministry-Album,probably because it was the first one I got from them.Man,the sound is so heavy and dry that you get teethache from it.Besides their songs kick ass My favourites are "Filth Pig","Dead Guy"(wotta GROOVE!) and "Lay Lady Lay"

GO BUY THAT FUCKIN` CD

shawnrao@uiuc.edu
Filth Pig is gradually becoming my favorite album of all time. This was the last Ministry album that I purchased because I had read nothing but negative things about it. After one listen, I wasn't too impressed. Sure, songs like "Lava" and "Dead Guy" blew me away after the initial listen, but "Reload", the title track, and "Game Show" just didn't interest me at all. After popping this CD into my computer's CD Rom just about every single afternoon, it finally clicked. I finally understood the album and understood the grooves and anger that went into each song. After about 10 listens, I began to worship songs like "Game Show" and "Reload". "Game Show" is like a slowed down version of Master of Puppets and "Crumbs" and "Filth Pig" are just songs that I can't help but scream along to, although they are pretty repetitive. My biggest complaint is that I couldn't get a louder sound out of my monitor speakers. No matter how high I cranked up the volume, it just didn't seem to satisfy me. To appreciate this album, you just have to have this stuff vibrate through you. Another wonderful thing about this album is that each song is unique and has its own personality. Granted, each one of these personalities can sneak into your home at night and stab you in the back 35 times, but its easy to differentiate each song from the next. When I listen to Slayer's Reign in Blood and Sepultura's Beneath the Remains, the songs begin to sound the same, if not very similar to each other, and it gets boring after a while. I never have that problem with a Ministry album. Al Jourgenson is a God.

uglytruth@hotmail.com (Hossein Nayebagha)
It's quite a scary album at times, "Lava" sounds really mean, and I remember the experience of listening to the intro of "Game Show" on headphones when I was getting to sleep at night. At the time when I bought it, and prehaps still, it seemed like Jourgensen,like myself, knew exactly what heavy music should sound like; a lot of bands could get the right rythm but no one could pull off the sound production. All of the songs can be good if you don't listen to the whole song, my favourite is "Brick Windows" because it stands out of the pattern of angry,mean songs. I give it 8/10; I don't actually listen to it much these days, but it's a record that has had such a strong impact on me as a listener, and that's pretty much the point of art.

deadguy1213@yahoo.com (Eric D.)
While I still like Godflesh better on [B]Pure[/B] this album is a bit of sentimental favorite of mine. There's a ton of really good songs on here: Reload, the title track, Lava, Dead Guy (my email's namesake), The Fall, Game Show, Brick Windows... [B]Filth Pig[/B] is tied with Mind and Honey as my favorite Ministry... still not quite up to [B]Pure[/B]'s standard as that's one of my favorite albums of all time... the songs on this don't quite beat the songs on Pure but they come close (the two "Pure" songs, from harsh noise to ambient noise wins out.... along with Spite, Monotremata, et al). 9/10 for the filth...

Ministry ratings:

With Sympathy - n/a
Twitch - 7
Rape and Honey - 9
Mind - 9
Psalm 69 - 8
Filth Pig - 9
Dark Side - 7
Animositi.... - 8

ricardo.nunez@poliformusa.com
… This is the point where Ministry ceased to exist for me. Gone is the sense of direction these guys had. Gone are the robotic grooves, the threatening speed, and the loud and distorted synthesizers. Now they are all heavy & slow; not that there is anything wrong with heaviness, it’s just that I like my Ministry to sound like C3PO on steroids, with laryngitis and with a very short temper… and a chainsaw…

One interesting development that might interest those who find interesting developments of interest -- one of the songs features a banjo, and TWO tunes feature avant jazz saxophone wailing!!!!!!

Reader Comments

gbastien@sprint.ca
I agree, this is Filth Pig redone. Better, yes. Played back to back you really feel like killing somebody. Or is that just me. Heavy, heavy bass. Heavy, heavy distortion. On a hot, humid, hazy day.... god. It's really bad. In a good way. Some crazy drumming and weird vocal tricks. I don't know. This one's gonna take a few listens for me to really decide if it's any good. By the bye, it was William Tucker who committed suicide.

errado@ruralsp.com.br
Filth Pig minus any imagination and ideas whatsoever. So: not weird at all, some people might like it.

DSwalen@Concentric.net (Doug Swalen)
This is lifeless. The band sounds so bored. The first song is sort of interesting in an annoying sort of way but after that each track sort of blends in to the next track. The guitar chops are nothing to write home about and Al's vocals at times border on the tedious. It's like they just don't care anymore....

insectcalm@webtv.net
i just have to say i find it funny how you rile everyone up . i love ministry , and this album is really cool to listen to . i like all the baanjos they souynde eerie. their drummer killed himself i believe, but i dont know

GENEAIAROCCI@att.net
yet another album:

this is a very burnt ministry recording.but it is a little interesting.i have been listening to ministry since 1981 and they did truly come a long way as far as experimental music and the fateful drug abuse. i will give a 7 for this recording. it starts off hard and fast but it loses potential drastically. the best yet of ministry are twitch,land of rape and honey, mind is a terrible thing to taste and in case you didn't feel like showing up {live} i still am curious what ministry will come up with next

berquana@exotrope.net (Z Schoonover)
Being a long time ministry fan, I was happy when Filth Pig was Fianlly released. When I first heard FILTH PIG it was ok, some really great songs, and some not so great songs. However, when SPOON was released it pulled me in with two great opening songs and then it fell to shite. In other words: This album makes Filth Pig look absolutely irresistable.

revsoul@videotron.ca (Marc)
...Ministry has seen WAY BETTER DAYS...just goes to show you that sometimes rehab destroys whatever is left of you...(and no, I'm not condoning drugs, I'm just pointing out that Al may have lost his edge when the drugs dissappated...so like...don't do drugs!)...I'm sure it was business as usual with this record, which is a shame...for a band that almost singlehandledly saved metal from becoming a joke...the drum sounds are from the eighties christ...with Al, you almost expected him to reinvent himself after going as far as he did with a 'guitar oriented' band...but I guess when you've done what he has...trying to find a new challenge may be a bit harder than one might think...maybe the album was therapeutic, but I just find it lacking interest...please Al...just take the medication and get stronger...we'll wait...

brain_of_j@hotmail.com (Tommy Joyce)
Damn you, typer of G (capital! you must use your little finger to press down Shift!) with the left hand! I knew there was some trick to writing fast and funny. Never have heard of this Ministry band, but I’ve simply this to say to you, after reading your bullshit for some 3 hours in a row, the trick being that it’s 4.20am in the morning (these 2 factors, plus a large bottle of Coca-Cola that is now nearly empty, have no doubt contributed to the phantastic realization that I’ve suddenly had, that in fact it is not necessary for man to sleep at all: it is just habit, once you use your force of will to stay away from it, suffer the withdrawal, the addiction will wear off - and man will enter a higher state of being, one not of lazying around 1/3 of the day but of dedication, work, reading Prinfle) – your musical tastes are horrid. It’s not even funny. (Btw, neither are the reviews of this particular band, except for the sticking your foot in your ear and listening to Crass bits; you might wanna cut out the unnecessary wordiness if, 1, it’s not even funny in a way that I haven’t heard before in the last 3 hours, 2, it’s all just mindlessly descriptive impressionistic “self-service” (wanking off) concerning a band nobody probably had any business caring for in the first place.) None of your arguments against the “manufactured mindless stolen melodyless crap that MTV foul our minds with” have any weight if you think bloody Life’s Rich Pageant is a 10-star album: THREE good songs it has! What is the matter with you? If fucking Hyena and Cuyabloodynomelodyhyga are GREAT songs, then I have a GREAT 12-inch dick! Sure, we’d all like them to be great songs, it being a college cult no-lovesongs clever anti-mtv nobody’s heard it but the real fans album – but then again, I’d sure like to have a great big 12-inch dick also! So if you don’t have the guts/sense to admit that besides Fall On Me, These Days and Superman there is not a single original/engaging melody on that LP, why should I ever think that this Ministry jewishness is worthy of frying in my Anschultz of sound (excuse me/fuck you)? Why? WHY? WHY OF WHY? HOW MANY BLOWS CAN IT TAKE TO KILL A FUCKING BASTARD BLOODY WHORE OF A FLY?

Has "Reload" always had that mandolin in it? That kicks ass!!! And how about the way they add an aggressive stutter guitar to "N.W.O."? These songs are awesome!!!! And aside from the two title tracks, these songs are awesome!!!! I give it a NINE!!!! But only an 8, at the same time!!!!

I broke boards in Tae Kwon Do the other day. WIth my FIST. And my HAND. And my ELBOW. And my FOOT. So don't FUCK with me anymore, bullies of the world. I'll break YOU too!!!! Kyeeaaaahh! Cherry-up! Kyin-yang! Pilsan! Mon! Hanna! Du! Siet! Niet! Dasu! Yosu! Ilga! Yodel! Ahop! Yul!

The Koreans love Yul Brynner. While we're on the topic of baldies, supposedly this Rogaine I spray on my head twice a day is WORKING! This is great news, as I spray the roof of my mouth too! The wife says I need to see a therapist again. That I'm "not able to let go of my thoughts" and "filled with incorrect beliefs about life" and "extremely unhappy due to an inability to control my anxiety." Hey, is it MY FAULT that the entire global economy rests on whether my record reviews suck or not?

Oh like you didn't notice? I suppose it was just a COINCIDENCE that the Great Depression occurred the same week I compared Ben Selvin and his Orchestra's "Broadway Melody" to 40 gallons of horse poop crammed inside a saxophone filled with piss?

Reader Comments

galleyian@mac.com (Ian Galley)
Check out the DVD, very good.

What I recall from that tour, (I saw them, with a head full of acid, in Nottingham, in QUADAPHONIC sound!), is Rey, the drummer, almost dying whilst drumming Just One Fix, just cause it's so hard. Heh Heh, good memories. That and my entire innards trying to force themselves out of my body during the final, bloody, bass melch at the end of The Fall. The DVD kind of illustrates the mayhem, but Barker kept hitting it for about 3 minutes. It was horrible, because of the anticipation. You knew coming, was another, even louder, even lower, even eviler bass hit and you couldn't escape! Ha!

The gig ended with a deranged Scotsman turning to me and screaming, "It's coming out of the fucking floor!" Memories, you wouldn't trade them.

Menstruation are back with what at first glance appears to be More Of The Same! (M.O.T.S.) After all, you can't spell "aniMOSiTiSOMina" without M.O.T.S.! (Mike's Only Turd Shoe). Industrial metal is yet again on the minds of our friends Paul Barker and Alan Jourgenson, with the doomy pounding and heavy metallic juh-juh-juh crushing chords and heavily distorted shouted vocals doing the same things to your bypass surgery stitches as Dark Side Of The Spoonerism did four years earlier (i.e. knocking them loose so your kidney falls out). But as te CD spins round and round in your defbox mosheen, suddenly some new shifts in the tectonic plates of their musicplan head their ugly rears OH GOD I'M GONNA VOMIT I'M WRITING LIKE CHUCK EDDY

BLAAAAAAAAAAARGH!!! (sploosh sploosh sploosh)

But it really does start off as basic industrial metal -- to the point where the chorus of the first song (a distorted high-register shout of the title) sounds like "Weird Al" Yankovic doing a Ministry parody (and it's every bit as hilarious as his Nine Inch Nails parody "Germs"! Which has NO JOKES in it!).

But as quickly as even the second song, they start making the kind of excellent, thoughtful and ACCESSIBLE songwriting decisions that bring in additional melodicism without pushing the anger and volume to the side at all. On top of its stutter-stop Led Zeppelin-style riffin', "Unsung" has a vocal line that's actually SUNG! It has a VOCAL MELODY! "Lockbox" has an aggressive, loud, smash-and-grab chord riff that's POPPY!!!! Three happyass chords that'll have you bouncing to and fro like a merry flower or man dressed as a flower! "The Light Pours Out Of Me" is a wonderful pop-rock song, featuring a happy NOTE (NOTE!??!?!?) guitar riff that sounds like Blue Oyster Cult at their happiest! "Impossible" is in 7/4 and has a really loud guitar part that only climbs into the left speaker during the second half of each line.... along with a creepy, harrowing, unforgettably sad/gorgeous "chorus" and ANOTHER note-driven riff at the end. "Stolen" has oh hang on I forgot the exclamation point. ! "Stolen" has this weird as shit orange fuzzy cheeto crunchy bright guitar tone that rings, tingles and disorients (especially when a disgusting woozy wind-noise break comes in!). And "Leper" sounds like OLD Ministry! WIth the heavy bass driving the song! For nine minutes!

Sure there's some PISS on it - for example, the song "Piss," which is about as generic as industrial metal gets. Then there's "Broken," a not-awful riff made sickening by "funny" redneck vocals that SUCK BALLS SO HARD THE SKIN POPS OPEN AND THE TWO TESTES FLOW INTO THEIR (the vocals') MOUTH AND GET STUCK IN THEIR THROAT, MAKING THEM TURN BLUE AND POINT AT THEIR THROAT UNTIL FINALLY A WAITER RUNS OVER AND GIVES THEM THE HEIMLICH MANEUVER AT WHICH POINT THE TESTES GO FLYING ACROSS THE RESTAURANT AND LAND IN A RICH SNOOTY OLD WOMAN'S MARTINI. SHE SEES THEM AND SAYS TO HER SNOOTY OLD FRIEND, "OH LOOK! THEY BROUGHT MORE OLIVES!" AND CHEWS THEM UP, SMILING. AND THUS ENDETH MY PROPOSED SCRIPT FOR CADDYSHACK 3. Then there's "Shove," the very definition of why I hate most industrial music - all drama and pounding with no melody at all).

I chose to describe individual tracks for you because, as I pointed out oh so many characters ago, Ansimomiddyabina at first sounds like it has no musical evolution at all. But it does, I tell ya! And I want you to take notice! They try all kinds of different things on here to spruce up the basic "workhouse" Ministry sound. And it works! Goodly!

Goodly PROCTOR, that is! Heh heh heh! There I go again - ending yet another review with an Arthur Miller reference!

(by the way, Arthur wrote another play, it was about a guy named Willie! He friggin kept talkin' to himself - Actin' really silly!)

Reader Comments

galleyian@mac.com (Ian Galley)
Hi Mark, hi his typing slave.

Just thought I'd throw my thoughts at the wall and see what sticks.

A new Ministry album. Hmmmm. i was weary even to hear this after the banality of 'Dark Side of the Spoon' but I'm the captain of my pain so I shelled out £11.99 from the local Avril Lavigne* superstore, returned to my sordid little grief hole, drew the curtains, rolled a fat 'un, poured me some port and popped the disk into my beaten down player...

Listen 1) Initially overjoyed at Animosity. Mark, I like the chorus/screaming title. There, sod you! Even better is the knackered engine/chuggy chuggy guitar sample intro. Next few tracks; started to have 'Spoon' flashbacks, not pleasant. 'Broken' sounds like Psalm 69 with crap lyrics. Nice keyboards at end though. Then 'Light Pours out of Me'; thinking "this sounds like early Fall (easy guitar line repeated ad infinitum). Impossible wants me to be 16 again^, in a small, dirty club with a huge sound system. Then 'Stolen'. Wow!! This is, ahem, 'the shit.' Instrumental bores me to roll another.

Listen 2) Start to hear the guitar sampling abandon a la The Young Gods. Next few tracks get my toes-a-tapping, (still poor songs, but they can still pull out the loudest drums bar Mr Crover.$. The next 10 mins pass as I decipher the credits and find out 'Light Pours Out...' is a Magazine song, (you know your post-punk Manchester scene don't you Mark?) 'Stolen' gets put on repeat for next 10 mins.

Lots of Port, Sherry, Mead and Weed.

Listen 5, or 6, or blah, blah) There, it all clicks. The best Ministry album since.... who cares! How can a bunch of 45 year olds sound so important? (Not politically, though 'New World Order' sounds so scary now!) Although I wish the whole album sounded like 'Stolen' I realise that would kill them and though I wish 98% of people making music would stop%, I do not wish this on these kind hearted gents.

Nine out of Ten.

A wise man once said, "Never judge an album until you've used up all your Eq settings." If you have itunes I strongly recommend Melvins' H.A.T on Piano.

Inlay/credit notation shenanigan concept.

* Miss Lavingne... I was working in London, freelance editing for a bunch of scallywags when an agent from bmg, (Bertlesman Media Grope), interrupted my hectic schedule so we could do frame grabs for the release of Skater Boy. "He is a fish, She is a horse, could there be anything queasier?". Luckily there was no audio track but I had to go frame by frame, so to grab shots for the Cd single cover. Multiply 25 fps (this is the UK, we don't need an extra 5.33 to rot our brains) by the length of the promo (approx. 3'50") Do the maths, (I don't, I failed maths, luckily 25 is easy to multiply). 5750. How many shots could we find? About ten. Yes TEN!! HOW??? Why didn't they just do shots on the actually shoot? I KNOW bmg have launched mind-control satellites to make the populace consume. And they've poisoned the rivers, streams and oceans, (the pour, pour whales!! oooo eee ooo ooo ooo ee oo ooo ooo ooo ooo oo oo o oo o???? = I ain't shagging you! I'll find myself an orca who likes Chas n'Dave (now Mark, there's a gauntlet thrown your way!) How they missed the shot of the copper chopper's blades whipping up Avril's tie, strangling her, drenching her followers in her blood, thus creating a new, true martyr. THAT would sell a record!!!

^ I'm glad I'm not 16. I remember, I hated being 16. Too many people, cowards and criminals. Throwing up black sick on the bedroom walls, waking up my dad who had to be at work 4 hours later, seeing an expression which I NEVER want to see again EVER.

$ Oh can he drum! Melvins' H.A.T is the only album you'll need post Mr Bush and Mr Blairs crazy summer holiday.

% Maybe that should be qualified as people releasing music! I make music and, though it tickles me, it's CRAP!

News from Air Strip One.

Don't be fooled by Ali G. He's washed up. Look for Avid Merrion. A loon. You won't buy Robbie Williams. Good on you! THATS the reason I put to shame all these lobotomised Anti-American arseholes in this sordid little country. Did you know you have to pay £5 per day to enter London. You could offer me £5 million and I still wouldn't enter that shit hole! There's a trial going on concerning 'Who wants to be a millionaire' 'tis alleged the contestant had 4 pagers strapped to his limbs so moles could page him the correct answer. He did win the million. (Though how a subterranean mammal could operate a pager beats me!) Also alleged a serious of coughs raised alarm too. (Was the leader of the torries implicit too?) Can you lot do better? The Scaramanga Six have released an album you lot might like. Go to Wrath Records (a dot UK). Mark, they're tight Northern Bastards so they won't send you one. (Yes I read your pre-amble, stop whining, get to work!) Buy it. I'm not in the band, nor have anything to do with the label. As I said, my music's crap SO SHOULD NEVER BE RELEASED!!!!!!!! Keep up the site. Your wisdom is faulty, but from the heart. And you pet dog is smashing.

To myself: shut up NOW!

You'll never see my like again.

altrockreview@hotmail.com (Nick Collings)
I've been listening to the latest Ministry record for a few weeks now, and I still can't remember how any of the songs go - except the cover version which is damn catchy. Still Animositisomina is damn fine moshing music and although no Psalm69, it still rocks my boat all the same.

soul_crusher77@hotmail.com (Mike K.)
I really wanted to not like this when it came out, but now I think that while it's no The Mind Is A Terrible Thing To Taste, it's hearteningly good for a band I was about to give up on after Dark Side Of The Spoon. For a long time the only things that stick out are "the light pours out of me" and "unsung", due to being the only songs with actual vocal melodies, but taken as a whole it's a solid slab of industrial metal, and while they're not really doing anything they haven't done before, there's enough enthusiasm, focused rage, and odd musical ideas thrown in to keep it from sounding like going through the motions. By the way, for the longest time I was mentally switching around the last three letters of the album title and thinking it was called "Animositisomnia", as in some sort of disease where you can't sleep and are really angry about it or something, instead of "Animositisomina", as in animosity backwards and forwards without the y. I'm stupid like that sometimes.

Oh, and who the hell told you about my only turd shoe??? I really try to keep that sort of thing private, but I guess there's just no trusting some people...

bclord@sfu.ca (Bruce Lord)
Ahoy there, dean!

I hate for my first comment to be a whiny lil' asspick of an observation, but whaddayaknow? It ain't stoppin' me. I figured that since "The Light Pours

Out Of Me" was mentioned a couple of times it might be worth pointing out that the track is a Magazine (Howard Devoto's post-Buzzcocks project, few other notable names involved) cover. It's on a bunch of their albums: "Play" (live and probably closed to Ministry's version), "Real Life" (probably the best, angstiest version) and "An Alternative Use Of Soap" (North American promo album w. demos, etc, pretty weak version of the track).

Beyond that, not much to say: thus far the only record released this year I've liked more than "Animositisomina" is the new Wire album. Here's hoping Al gets that Ministry/ohGr/Rev Co festival together!

tomgipson@gmail.com
I have to say that I do disagree with you on this one. I really love this album, and the new one (houses) is great, but I feel that it really obscures this one. As much as I dig Houses, it lacks all the really weird tracks like "Unsung," "Stolen," etc. I suppose I'm more into the trippier stuff Ministry's done...

A more appropriate name for the LP might be I Hate You, Ronald Reagan! because the album not only features George W. Bush samples in about half of the songs (including the hilroarious cut-and-splice "I have a message for the people of Iraq: Go home and die."), but eight of the nine song titles begin with the letter "W" (though "WTV" is kinda pushing it for YET ANOTHER FUCKING SEQUEL TO "TV SONG"), the ninth is a follow-up to the George H.W. Bush slam "N.W.O." entitled (ya'all ready for this?) "No W." Now that's honestly clever! I LOVE that! Actually, some of the lyrics take half-brained swipes at hizzoner of stupid assholeness too, but not in a way that will impress anyone over age 19 (unless you're driven wild by dopey third-grade level rhymes like "Whoever told you that you were bright/The skull and bones, the conservative right/You're like a plague turning day into night." I'm so SICK of third graders making references to the Yale's Skull and Bones Society. Jesus, is it all those eight-year-old liberal fuckheads ever TALK about?? FUCK YOU, THIRD GRADER FUCKHEADS!!!

If you've ever visited my site before, you may have noticed that for quite some time, I had given scores of 8 out of 10 to both Animositisomina and Dark Side Of The Spoon. This was a mistake. I listened very closely to both CDs recently, and both of them have way too many shitty songs to earn more than a 7 on my United Nations-approved Grading Scale. Thus, I lowered them both to a 7 in demonstration of their inferiority to the previous four Ministry studio albums. But the 8 out of 10 I award herein for this brand new CD is for real. I keep listening to the CD over and over and although it doesn't bowl me over with any sort of groundbreaking industrial noise mania, it nevertheless entertains me clear through from beginning to end, and quite often makes me bang my head excitedly too, like a younger man or teen would. The guitars are loud as helclk, the drums and vocals are more distorted than your vision after drinking 15 pints of Goldschlager! WHOO!!OO! BEER AND ALCOHOL!!!!! and most importantly, there are NO lousy songs on here. There are some ANNOYING ones, certainly, but only in the interest of intensity (e.g. continuously using the deafening sounds of machine gun fire as a double-bass drum break in "Waiting") and good humor (g.e. smith: interrupting "WTV"'s smile-making samples galore with unforgivably distracting high-speed guitar/drum SMASH SMASH SMASH attacks). Otherwise it's smooth sailing through piles of stripped-down riffage and one really great midtempo scrape-and-trudge basher called "WKYJ" that sounds like Husker Du and Helmet have come together for a Jamcon '84. It's good good good! Good good good! And remember - "Good" spelled backwards is "Dog"!

Well, I mean a really long dog. Like a dachshund.

If I may finish my review with two assholish comments -- (A) the chord changes in the album's sole epic "Worm" sound awfully similar to those of Wire's "40 Versions" (but with a beautiful lead guitar on top - TO BE FAIR). And (A.1) the "rockin' out" section of "Worthless" sounds dangerously similar to that of Kansas's rock and roll classic "Carry On Wayward Son," hereforth to be referred to as "Worst Song Ever."

Reader Comments

brianjc@webtv.net (Brian Carlson)
Animositdhjhdjasfamnas was a step in the right direction, but this album is the real "comeback" as the kids say. Regardless of the occasional stupid lyric (I ended up with some promo version sans lyric sheet, so I can't understand most of them anyway), it's apparent the possibility of George W's reelection lit a fire under Al's ass. No more sludgy experimentalism (well ok, maybe the last 3 songs would sort of fit in on Filth Pig, but they're pretty good anyway, heck "Worm" again actually has a melody), just lots of simplistic but cool Psalm 69-ish thrash riffage and creepy samples. "No W" is definitely the best here, what with one of the best riffs, the spookily authoritatian Bush soundbites, and samples of Carl Orff's "Carmina Burana" (which plebians such as yourself and me until I read other reviews of this album may know as "that creepy opera chant thing from Conan The Barbarian, The Doors, and pretty much any ! movie trailer that features stuff blowing up but is slightly too classy to set it to edgy nu-metal"), but also great are "Warp City" (way to kick ass there, new drummer whose name I'm not going to bother looking up!) and "WTV". Why the damn 69 tracks thing again though? That's pretty annoying. It is kind of cool that the 23rd is a "No W" with a longer intro and Slayer-style string-assaulting guitar solo though.

eclipsereviews@hotmail.com (Roland Fratzl)
Now this is a fucking comeback. Angry vocals + brutal riffs + speed = happy headbangers (like me). Most reviews have been saying this is their strongest album since at least 1992's Psalm 69, but I think this is better than even that - it's right up there with The Mind Is A Terrible Thing To Taste, if not better. Best ever Ministry album in 2004, a good decade and a half removed from their creative peak? Hard to believe, but right now I'm inclined to think that way. Like you said, there's nothing actually new in the music here, but there's an energy and purpose in the form of consistently well crafted songs that make it a delight to listen to, perhaps more so than even their classic albums. There's only one weaker song on the album ("World"), but it's not terrible or anything. One more thing: the main riff in "Wrong" is a clear rip off of Rammstein's "Zwitter"!

galleyian@mac.com
Nope, sorry but this is a huge step backwards. The first listening left me crying with boredom, the second with apathy. Not to make too great a decision on a few listens, I borrowed (i.e. nicked) my mates copy, he won't mind as he thinks it's utter shite. So I've tried on & off for three weeks and I can now pronounce the All-New Ministry album is passable. Not the most rockin' adjective, but damning enough. There are around 3 good tunes, (No W... which is a rejigged Bad Blood, I don't mind as BB is shite; Waiting & Worm), but the rest is tired, very tired. WTV nearly made the positive list until the headphone test revealed it to have been mixed by a 4 year old, great use of stereo chaps (PAH.)

Must go, phone is ringing & I bet it's telesales again!! Yes it was, that silent salesman... so shit at his job!!

opeth1213@yahoo.com (Eric Daniel)
This is close to being Ministry's perfect 10 for me. I give it a 9, as the songs here are mostly great and all anti-Bush (mostly anyway). I dont listen to the end songs as much, as the first 7 or so blow me away (No W. yay. Warp City yay. All those other songs beginning with W, yay.). I'm sure the last two and the couple hidden songs will get their due one day as well. Al's best (without Paul Barker as well) since Mind, narrowly edging out Filth Pig.

This is often called Psalm 70 cause of the Psalm 69 similarities (12 yrs later, anti-Bush content, another election year) or Psalm 23 (as in Psalm 69 divided by 3) cause of the Dubya sample at the beginning, but it tops Psalm 69 to me. Good all the way through with no filler, this is Ministry's best since '89. And since Al is his late 40s now, releasing his best album (mostly solo too) in 15 years is quite an accomplishment. As is quiting the drugs and sounding better than ever and as anti-Bush as ever. For those about to industrial thrash it up to Mr. Jourgensen, we salute you... 9/10.

Still hoping Al will release a perfect 10, maybe by his 50th birthday, as a couple more years go by and we all have more reasons to be pissed at Dubya. Especially when you're living in Florida like me, hurricane capital of the world narrowly missed by Katrina but hit dead on by Wilma, and Al's in Texas so he almost got Hurricane Rita. Hey Dubya, now's not the best time to be putting your old coke buddies in charge of FEMA. Especially with that great hurricane-enhancing environmental policy of yours. Ok I'm done.

Howdy folks! Mark Prindle here with your Wacky Weather Weport! (*bright yellow umbrella pops down from ceiling, accompanied by comical BOING! noise*) Looks like rain today (*bright yellow stain appears on crotch of white pants, accompanied by comical PISS! noise*) - FUCK! I PISSED MY MOTHERFUCKING PANTS! (*cut to commercial*)

Yes, those were good times. But we can't live in the past. Unless our names are Paul McCartney, that is! Have you read his semi-autobiography Many Years From Now? I ask because a few things in it are freakin' me right on ass-out and I wanted to discuss them with you. Please note that this is not a 'joke' portion of the review. I hereby quote Paul McCartney directly from pg. 28 of this book:

(about his mother): "At night there was one moment when she would pass our bedroom door in underwear, which was the only time I would ever see that, and I used to get sexually aroused. Just a funny little bit. I mean, it never went beyond that but i was quite proud of it. I thought, 'That's pretty good.' It's not everyone's mum that's got the power to arouse."

(about he and his friends' 'masturbation circles'): "We used to have wanking sessions when we were young at Nigel Whalley's house in Woolton. We'd stay overnight and we'd all sit in armchairs and we'd put all the lights out and being prepubescent boys we'd all wank. What we used to do, someone would say 'Brigitte Bardot.' 'Ooh!' that would keep everyone on par, then somebody, probably John (Lennon), would say, 'Winston Churchill.' 'Oh no!' and it would completely ruin everyone's concentration."

So, to summarize: (1) Paul McCartney got a boner looking at his mom and (B) Paul McCartney and John Lennon used to do circle jerks together.

Say! Anyone up for some Rolling Stones?!?

On a related note, what the frigerator is the point of this new Ministry CD? Who is the audience supposed to be? It only has two new songs! The rest are 'remixes' of old songs. It's not a 'greatest hits,' nor is it much of a bargain for the fanbase who actually still buy Ministry albums (which, judging from recent record sales, appears to be... me). So what's the point? Just to put something cheap out there to try and make a few dollars in an off-year? Even stupider is this new Nirvana CD. Have you seen this? "The Best of the Box"? Let me explain something here -- anybody who cares enough about Nirvana to want to hear a bunch of their demos and outtakes ALREADY BOUGHT THE BOX. Who does DGC expect to purchase a single CD featuring the 'highlights' of a bunch of outtakes!? The Dumbest Man In America!? Well, I already asked and Chevy Chase has no interest.

But back to Ministry's Rantology for a second. First of all, the album cover looks like it was put together by an 8-year-old Rolling Stones fan. It is by far the worst Ministry CD cover of all time - and I'm saying this as a person who until two weeks ago thought that the cover of Land Of Rape And Honey was just a big purple cloud! Secondly, though it boasts "reduxes," "update mixes" and "alternate mixes" of eight different songs, only TWO of them sound like Al has bothered doing anything to them. (These would be "No W," which starts with a long scary Church choir, and "N.W.O.," which now incorporates George W. Bush samples alongside the George H.W. Bush originals; "Jesus Built My Hotrod" has a different Gibby intro too, but who gives a shit?) Thirdly, the three live tracks are pulled directly from Sphinctour (what - is that the only concert they've ever recorded? Come on - put some EFFORT into your product!) And fourthly, the two new songs aren't very good. They're not terrible, but they're not great.

Okay, generally speaking, what we have is a compilation of loud metallic songs by Ministry, many of which are great but some of which simply aren't. More specifically, we have eight remixes, one song from a video game, one new track scheduled to appear on Ministry's 2006 studio release, and five songs pulled directly from Sphinctour, Houses of the Mole and Animositisomina. Even more specifically, to the point of being anal, we have four Houses Of The... tracks, three Psalm 69, two Animositisominanimositisominanimositetc, and one each from The Mind Is..., The Land Of..., Filth Pi..., Dark Side Of The..., their next album, and a popular videogame whose name I've forgotten. (The song's called "Hey Ms. Pac-Man, Keep On Rockin' Along" if that's any help.)

Ministry's production has certainly improved over the years - it's astonishing how quiet and harmless "Jesus Built My Hotrod" sounds alongside the violently-loud-and-distorted-as-ALL-HELL Houses Of The... songs. But everyone who's anyone knows how spotty their studio records have been been since Psalm 69. So what a wonderful relief that this highlights compilation is ALSO SPOTTY BECAUSE HE PICKED SO MANY WRONG SONGS!!! What the fuck is "Bad Blood" doing on here? It's the exact same chord sequence as "No W." but SLOWER! And "Animosity"? Is there a worse track on that album? I don't think so! And yes, it's cute, but "Psalm 69" is NOT A SONG. It's a goof! And not even a goof that ages well! At least Al was 'with it' enough to make sure that the AWESOME "Thieves," "Stigmata," "Unsung," "Wrong," "Warp City" and "The Fall" made the cut. Those are some kickass ass-kickers! But wait -- if you're reading this web page, don't you OWN them already? And if you're not reading this web page, what are you - too good for this web page? Well, I got news for you, Mr. Fancypants Too Good For This Web Page -- Eat shit!

Let me close by briefly discussing the two songs you might not have heard. "The Great Satan" certainly doesn't give me hope that the next album will be as good as the last one; essentially it sounds like a weak outtake from that record. Sounds just like those fast loud yellers - even down to the George W. Bush samples - but hindered by a basic, boring chord sequence. The videogame song, "Bloodlines," begins as a sickeningly obvious rip-off of "So What," but soon develops its own personality in the form of a neat bass/guitar line. Unfortunately, that's the only good part of the song and they repeat it for 45 minutes when not switching to the other, crappier part.

Can you get a copy of this CD cheap and/or free? Then by all means, do so! Have you not heard any Ministry since Twitch and are eager to hear what they've been up to for the larger portion of your life? This is the album for you! Otherwise, ask yourself the question I asked myself after paying $9 for this pointless retread: "Why the hell did I buy this?"

But ask it to yourself BEFOREHAND, see.

I know it can get confusing, and you might look around the room trying to figure out what you bought that you're now having doubts about, but that's perfectly normal. This is because I've hypnotized you. You may not have noticed but this entire review is shaped like a stopwatch swinging slowly back and forth! When I clap my hands, you will wake up and remember one thing: "Men who write shitty record reviews also have huge puds and can make love all night like a stallion."

(*CLAP!*)

No no -- I said "like a stallion"! Please take your pet stallion away at this instant!

(*goes to Paul McCartney and Ringo Starr's house; jerks off with them*)

Reader Comments

Casey
This is an album to fulfill obligations with their record label. Too bad this is the only worthy quality about this disc, because the plastic could have been better used aiding in the creaton of overpriced consumer electronics. I'm also worried about the new album based on that new track. Talk about a yawn-fest.

However, a few days after being bored to death with this album, I read that Al is working with Tommy Victor, Paul Raven, and the drummer from Slipknot (the masked one) for the new album/tour. It's good to see Tom Thumb and Pill Rivets working together again after such a nasty split up. That Great American Jeff Gordon Pewter Train Set debacle was just the straw that broke the camel's back.

Tim Victory also played on the last Danzig album, but that was a piece of shit anyway. By the way, Martin Atkins hates Prong; said they were a Killing Joke cover band.

Regardless, I hope the new Ministry album isn't another 12 tracks of how a Republican politician is evil. Quite a revelation there Al.

"Janie's Got Nice Buns"

"Janie's Got The Runs"

"Henry's Got A Tongue"

"What did his daddy do? Made the bathroom smell like poo"

Yes, my wife and I certainly make a hilarious team!

(Possible punchlines include: "Not a sports team though, so stop watching us with binoculars asshole" OR "A team of SPERM, that is!" OR "If they turn out not to be funny, we take our lovemaking skills elsewhere")

Some time ago, I made a remark on www.markprindle.com to the following effect: "'The Great Satan' certainly doesn't give me hope that the next album will be as good as the last one; essentially it sounds like a weak outtake from that record. Sounds just like those fast loud yellers - even down to the George W. Bush samples - but hindered by a basic, boring chord sequence."

Well, that goes double for the new album.

(?)

Rio Grande Blood is what happens when Alain Jourgensen records three complete studio albums in less than three years. He runs out of songs, but keeps pressing 'record' anyway. Public Enemy did something similarly boneheaded, releasing two complete albums in a single year and making the handful of us who still follow the old bags sit through the appropriately-named New Whirl Odor. So from now on, I'm going to refer to Ministry as "The Public Enemy Of Industrial Metal."

When Paul "Terminator X" Barker decided to retire from The Public Enemy Of Industrial Metal in 2004, there were some who said it didn't really matter because Alain "Chuck D" Jourgensen has always really been the mastermind behind the band. But sources close to the band report that this isn't the case at all, and that Alain has a bad habit of claiming more credit than is due him. Rio Grande Blood would certainly support such a supposition, as new writing partner Tommy "Sister Souljah" Victor (of Prong fame) is apparently incapable of writing anything other than listless, hookless heavy metal riffs filled with stupidass false harmonics. These songs are certainly heavy and full of speedin' thrash parts (though several of the songs are mostly slow or midtempo, nearly every track has at least one thrash section), but aside from the Houses Of The Mole-worthy title track and Middle Eastern industrial trance drone metal "Khyber Pass," they're also pretty much interchangeable. And not in a good way, like a Ramones album or underage quintuplets or a Motorhead album.

Lyrically, The P.E.O.I.M. continue to attack the George W. Bush regime with wacky sample manipulation ("I am a brutal dictator!" announces Mr. Bush at one point, before concluding "I'm an asshole!"), accusatory lyrics ("LIES! LIES! LIES! LIES! LIESLIESLIES!), and self-explanatory song titles ("Senor Peligro," "Fear Is Big Business," "Ass Clown" and aforementioned "The Great Satan"). However, the vocals remain heavily distorted and difficult to understand, so prepare to listen very closely if you want to know Al's specific feelings towards such topics as Halliburton, Hugo Chavez, 9/11 conspiracy, Osama Bin Laden and the Marine Corps (in a terrible song with one great line: "I'm gonna stick my dick in your nose!"). Small hint: Al Jourgensen has been known to socialize in liberal circles.

If you're looking for nothing more than loud, aggressive industrial metal, these songs certainly fit the bill of sales. Plus, aside from the plodding Marine Corps send-up "Gangreen" and aurally irritating "Yellow Cake" (ugly high-pitched swizzly keyboards accompanied by a nothing chord sequence), none of the songs are honestly bad. They're just kinda "eh," as if the band went into the studio one day and just pounded out one track after another after another, with as much melodic forethought as Metallica put into the dreadful St. Anger. Rio Grande Blood isn't quite that lame, but if Al doesn't take a year or two off to refresh his Idea Bag, their next album may very well be.

Having said that, "Ass Clown" (featuring Jello "Flavor Flav" Biafra) stands out by featuring an odd, mechanical clinky-clunk hammer attack instead of a melody, and the Slayer ri(po)ff of "Senor Peligro" kicks so much ass, donkeys have to strap pillows on their hindquarters whenever it comes on. Why can't Slayer write riffs like that anymore?

Just FYI, the other musicians on this work include bassist Paul "Terminator X" Raven (Killing Joke), guitarist Mike "Professor Griff" Sciacca (Ministry), drummer Joey "Media Assassin Harry Allan" Jordison (Slipknot) and keyboardist John "Bunch Of Dancing Black Guys" Bechdel (Prong). Is it thus any wonder that there's hardly any butt-jiving disco pop on here at all? Come on Al; when are we finally going to get the sequel to With Sympathy we've all been waiting for down here at the muscle gym?

One final observation, and this is directed towards you there at home. Hey you! Up there in your room, always playing with your broom - can you hear me? Hey you! With your ear against the wall, always playing with your ball - can you hear me? If so, do you own a guitar? If the answer is yes, go pick it up.

You got it? Okay. Now -- without thinking about it all, start playing a thrash song -- NOW!

Hear that? That's half the songs on this album!

Unfortunately you now owe significant royalties to Ministry's publishing company.

No, I know you don't have to pay royalties just for playing another band's song, but I unfortunately recorded what you were playing, pressed it onto CD and sold 500,000,000 copies of it under the title "Dirty Deeds Done Dirt Veep, the new album by Ministry."

Sorry about that, in retrospect.

Reader Comments

deftera@gmail.com
Man, I gotta say I'm dissapointed. I've been listening to Rio Grande Blood pretty much non-stop since it was leaked on the net and I've been checking daily for your review on it. But it's not what I expected. I think this is some of Al's best work yet. I think "Senor Peligo" is an awesome brutal song that we can perhaps hope for the same sound in the new Slayer. But aside from the military movie opening in "Gangreen", I'll give you that the song blows. The next 3 tracks are great listens for me, "Fear(Is Big Business)"'s opener reminding me of Slayer again, but in a Ministry way. Slayistry? But then my favorite song on here in "Lies Lies Lies" comes on and blows me away with each listen. I think that's a classic Ministry track and one of the top 10. The way he screams "Lies Lies Lies Lies LiesLiesLIEES" in the chorus is so damn catchy. After that it is kind of a meh string of songs, but none are bad or need to be skipped, they just don't stand out much. Then "Ass Clown" is another standout great track before the album closes in Ministry fashion.

I don't know, I guess when I look at it song by song like that I can understand a bit of a low rating, but I love the album. Maybe it's the thrash metalist lover at heart in me, but I think it rocks to throw it on the loud stereo and go crazy. My favorite album of the last year or so, easily. Maybe it's because I only care about the music part of the album, anything that is just nonstop thrash I'll love, and I couldn't care less what they're singing about. Also, from this album I thought the new lineup was killer, but from the reviews of the live Houston show which I didn't get to make(being 16 years old with a worried mother and a couple hours from the only town around here that gets anything sucks) everyone's saying it's mixed real bad and that Joey SUCKS on the drums ruining the band's old material.

I'd give the album a 9 personally or at least a strong 7 for a harsh grade.

Casey G.
I think you hit the nail on the head with a 5 rating. Painfully average. This album probably would have impressed us more if Houses of the Mole hadn't come out before it. Al really is forcing those Bush samples, isn't he? They sounded natural on the previous album, now it just reminds like that episode of The Simpsons when that Hard Copy-ish reporter splices an interview with Homer to make him look like a sexual predator.

Your statement about sources close to Al saying he takes too much credit is interesting. I know after this album leaked online a few people on the Ministry forums were complaining that Tommy Victor ruined Ministry, forcing them to become Slayer-lite or something. My take is that some of the diehards were pissed that Al made another "buttmetal" album instead of The Land of Rape & Honey part 2, and found a convenient scapegoat.

Also, what is it with snobbish industrial fans and that "buttmetal" term? I mean, I'm sure the soundtrack of choice on Fire Island is more likely With Sympathy than something like Master of Puppets.

Bad news for those that are tired of Al's recent lyrical content. A recent Billboard interview with Al said the next album will be Ministry's last, and will be about Bush again. I'm not above Bush bashing but this is just boring by now.

recoil66@gmail.com (D)
Finally! Everyone and their uncle has been creaming themselves over this record, and I just don't know why. I mean, don't get me wrong, I'd probably score it a 6 actually...the title track is an instant classic, no questions asked, and "LiesLiesLies", "Ass Clown" (gotta love Jello's "See the department of homeland security perfecting new ways of drowning black people!"), rock awesome, and AND the remix of "Great Satan" is WAY better than the original from 'Rantology.' But I'm with you on this, the rest of the album just doesn't move me (and I swear to God if I hear Tommy Victor make that slidey-noise with his guitar on another album again I'm gonna ask him politely to stop doing that!). I think most people were just pleasantly surprised that Ministry got so fast and hardcore again all of a sudden. I think in a few years people won't really listen to RGB as much as they think they will. Switch this in the release-ography with 'Filth Pig' and both records wouldve been better recieved I think, for their respected eras.

flounderfaze@yahoo.com
Okay, I think this a fun, lighthearted little romp of an album. I confess this is really the only Ministry I've ever bothered to listen to, and it's mainly (read only) because of the guys from Prong on here. Now, I know all you guys don't like them, but I'm not quite sure where all this 'buttmetal' phraseology is coming from. I happen to really like the old stuff from this underrated band that nobody really listened to. And Tommy's guitar is influenced by Helios Creed, who is from San Franciso. Nothing gay there! Then again, I'm 24 and I've never kissed a girl, so I guess maybe I am gay and I should just go back to sucking my own dick! Anyway, I would give this album a 6.5 or a 7, actually. It is definitely not a great one, because a few of the tracks are boring filler. But I looove the title track, "Senor Peligro", "LiesLiesLies", "Ass Clown", "Gang Green" and "Great Satan". It's just funny, almost like he's proving the Bush supporters right by being a ludicrous self-parody of all the insane Bush protestors. Hey, I didn't say it was intentional!!

I will be seeing them live, so it's unfortunate that I read they aren't as good in the reviews. Guess it's because Slipknot sucks! Too bad they couldn't get Ted Parsons on the drums!

edm1213@msn.com
This is basically Houses of the Mole part 2 here... i like it a little more than Mark, as if I'm in the right mood i can headbang furiously to most of the tracks, but it seems a little stale in comparison to Houses... that "I'm an asshole" sound manipulation thing gets a good reaction from us Bush-haters at first, but with time does seem a little cheesy. still that title track, Great Satan, Senor Peligro, and Assclown are all damn fine tracks to me, but the album as a whole doesnt stand out from being to end the way Houses of the Mole (or even Filth Pig) did. 7/10

So what's with this Dirty Deeds Done Dirt V